Instrumental Practice

Of course, the instruments themselves don’t make any sounds at all. They all require one thing -- the human touch. A person must take up the instrument and coax the voice from within it. And just as a new-born baby can’t recite poetry, a novice musician can’t evoke the instrument’s full natural voice. Through practice, he or she develops a level of skill with that instrument.

Don’t confuse skill with talent. Skill is acquired through hard work and a desire to excel. Talent is an innate ability; a gift that is bestowed on us at birth. Everyone has talent, but some people seem to have only to glance at an instrument and have it emit the most beautiful sounds. These musicians are blessed with a wealth of natural talent. The rest of us must spend countless hours ‘wood shedding’ in order to make our improvements. We depend more on our skill, which we hone and build upon with practice, to make us good players. Using that practice time effectively may be the most important thing a player can do to improve his or her musical skill level.

The goal in practicing is to improve our ability to coax the natural voice from our instrument. We want to be as expressive and nimble with it as we are with our own voice. Without thinking, we all use inflections, whispers, shouts and myriad other devices to express ourselves vocally. Ideally, we should be equally adept at manipulating the instrument’s voice to express musical ideas. Most of us can’t spend as much time playing and practicing as we do speaking, so we must make the most of the time we do have with the instrument.

Daily practice is necessary to sustain progress. When you skip days or weeks, the improvements you might have made fade quickly away. Establish a daily practice regimen that you can stick to. If you work a ‘normal’ job every day, it’s a good idea to practice before you start working. You’ll feel good knowing that you’ve been musically productive before you even begin the work day. Also, take one day of the week off. The rest will help you maintain a fresh approach to your music.

And don’t over-do it. If you intend to practice for more than an hour-a-day, work up to it slowly. Don’t jump right in with two hours in the morning and two at night. You can easily cause permanent damage in the form of tendonitis, carpal tunnel, or other repetitive stress injuries. These are debilitating and may never heal. If you do feel discomfort while you’re practicing, stop immediately. Do not keep going and think the pain will go away. If you feel pain every time you play, see a doctor.

You should also strive for privacy when you practice. If your environment is quieter at night than it is in the morning, set aside time in the evening. Let those around you know that this is your own time and that you are not to be disturbed. Turn off your beeper, don’t answer the phone, and stay out of earshot of the television or stereo. The further you are from the mainstream of household activity, the less likely you are to get distracted. Practicing in private also helps you feel less self-conscious about making mistakes.

And if you don’t make mistakes when you practice, you aren’t working on the right material. You should be concentrating almost solely on the passages that give you trouble. Instead of playing a song through from start to finish over and over, you should play it through only once to warm up and then work on the difficult measures. During the warm-up, make note (no pun intended) of any bars where you miss notes or beats. Then go back and practice each of these trouble-spots slowly enough so you can play every note clearly. Repeat the offending section until you can play it twice without errors. Then increase the speed a little and repeat the section some more until you can play it twice without errors. Continue this way until you can play the part up to speed. If after you increase the speed you find that you can’t play it without making a mistake, slow it down again and repeat the section until you can play it cleanly.

Practice sometimes seems like drudgery. The repetition gets boring and it’s easy for your mind to wander while you’re playing a passage over and over. You go into a sort of ‘auto-pilot’ mode and your fingers move without your brain being engaged. While this is sometimes desirable when you’re performing, it can be counter-productive during practice. Stay aware of what your hands are doing to make sure you’re playing a passage correctly. If you are playing it wrong over and over, you wind up reinforcing mistakes rather than correcting them. And if, while you practice, your wondering about what to have for dinner, you are not fully present for the activity at hand. Keep focused on the instrument and making it sound as musical as you can. Even if you’re practicing “Twinkle-Twinkle Little Star”, you should be fully aware of the sound (or the voice) that you are forming.

Varying your practice material is a good way to minimize the monotony of repetition. If you work on songs A, B, and C on Mondays, Wednesdays, and Fridays and songs D, E, and F on Tuesdays, Thursday, and Saturdays, you won’t become bored with your daily practice. And be sure to do warm-ups every time you pick up your instrument.

Developing a good sense of timing is as important in music as playing the correct notes. Just as with spoken language, your playing must maintain a natural, rhythmic flow. If your speech is fractured and difficult to follow, no matter how profound your words are, people will have a hard time listening to you. In music, if you hit every note but your rhythm is off, the musical message will be lost. A metronome is the best practice aid available to this end. It serves a couple of different purposes. First and foremost, it keeps you playing in time. It taps out an indisputable beat, and as long as you listen to it, you’ll be right on the money. Secondly, a metronome helps mark your progress on a given piece or passage. When you slow a difficult part down, make note of the metronome setting at which you can play it without making any mistakes. As you master the piece, set the speed higher and higher as described earlier. Keep track of your progress by marking down the songs and metronome settings that you’re working on in a practice journal. This makes it possible for you to know exactly how fast you played it yesterday, the day before, last week, etc.

Good technique is the cornerstone of good musicianship. If you form proper habits when you start playing an instrument, you’ll set a strong foundation upon which you can build. If you form bad habits, you may find at some point that your technique actually hinders your playing ability. Breaking old habits is extremely difficult, especially if you’ve been repeating them for years. Do everything you can up front, including taking lessons from a reputable teacher, to develop the proper technique for your instrument. While you practice, pay close attention to maintaining that technique. Eventually, it will become second nature and you won’t have to think about it.

Remember, when you practice, you are improving your ability to express yourself musically. Strive to find your instrument’s natural voice and listen for that voice in every scale, arpeggio, or paradiddle that you play. Follow these rules for effective practice and you will be rewarded with a lifetime of music.

Practice daily, but don’t over-do it
Don’t practice mindlessly.
Focus on the musicality of what you’re working on, even if it’s only a C major scale.
Work on material that you find difficult
Use a metronome
Keep a practice journal
Develop good technique. 

What Classical Guitar Can Do For You

For most players, the realm of classical guitars is one that they'd just as soon avoid. The scale length is different, the neck is wider, and they're harder to play, so why bother?

Why? Because the world of the classical guitar is definitely one worth exploring and one that will reap incredible rewards the more you explore it. A well-executed classical passage within a rock song can give an air of class and distinction to the music, not to mention adding a great break in the middle of the song. Playing classical guitar, even if you use it traditionally (playing simple fingerpicker parts, strumming and single-note lines) can help your playing take a giant leap forward.

Classical guitars are very, very similar in their construction to traditional acoustic guitars. The body is smaller, but the bracing methods and wood types are similar. The necks are wider to accommodate your fingers, the nylon strings give the classical guitar its distinctive tone, but most players with average-size hands find that this transition isn't as difficult as they first may have pictured it. Classical guitars are very, very similar in their construction to traditional acoustic guitars. The body is smaller, but the bracing methods and wood types are similar. The necks are wider to accommodate your fingers, the nylon strings give the classical guitar its distinctive tone, but most players with average-size hands find that this transition isn't as difficult as they first may have pictured it.

What can a Classical guitar do for you?

Well, give it a try and you'll find out a whole new world.

Singing

Do you want to learn how to sing or just how to sing better? You may not be aware of it but it’s likely a case of learning how to sing better for most of us. It’s not that absolutely everyone can sing, but most of us can if we take a sensible approach to trying.
There is a wealth of information available on the internet offering lessons and scales and claiming to reveal the “Five least known Singing Secrets”. Well here’s something to ponder, there are no secrets. The ability to be a good singer is nothing more than learning how to listen to yourself, being able to correct you pitch if it’s off, breathing for a continuous supply of breath, and muscle control in your throat and body to produce the best tones, not to mention, tons of practice. Proper practice that is, not practicing mistakes.
Singing lessons will certainly help guide you to being able to recognize how all of these things go together but the reality is that you can quite likely do it yourself with only a little help.
Have you ever seen advertising that claims you can increase your range by an octave? That to me is a very big claim. Personally I would have to see it to believe it. I’m not saying that it’s impossible but it’s not as possible as some would have you believe. The only real way to increase your range is to practice properly, without hurting yourself, and building your range up over a period of time. That’s the only way to do it safely and still keep a rich tone about your voice. My sense is that anything else would be falsetto singing and in my world, there’s no real room for that.
This practice is where scales and such come in handy. You sing ascending scales and descending scales in a variety of phonetic phrases. It’s a controlled environment and you can make improvements in your range for sure, but it will take time if you do it properly. Naturally the more you practice, the greater your improvement.
You may need to consider that range is not the be all and end all of being a great singer. When you listen to your favorite songs it becomes apparent that at least most of the song stick to a certain range and doesn’t go too much higher or lower than that. Most of those notes are quite reachable by the average human so don’t kill yourself trying to do something super-human when it comes to increasing range.
Instead of range, worry about pitch. It really doesn’t matter how high or low you can sing if you can’t hit the right notes in between. Stick to the easy stuff you know you can do and work up from there. Use your ears. If you sound like you’re off, correct it and don’t be shy about it. You’ll be surprised at how quickly you stop singing wrong notes. Your ears are the greatest aid you have to being a great singer, you should learn how to use them first, then decide if you need lessons.