Tuesday, September 12, 2006

Electric or acoustic guitar for beginner

Having played the guitar for a number of years, I am often asked this question by eager learners - "Should I start learning with the acoustic or electric guitar?" In this article, I'll talk a bit about both so you can come to an informed decision.
First of all, let me get something straight. The actual notes and fretboards work the same for both, so if you start with either one, its always interchangeable, although the playing techniques might differ.
Most younger players would gravitate towards the electric guitar thanks to MTV and the "cool factor". The acoustic guitar seems to have a more "folksy" image to it. Both sound very different, with the acoustic relying purely on natural acoustic principles to generate the sound, using the body of the guitar as an "amplifier". The electric guitar on the other hand needs an electric amplifier to generate sound. There are of course hybrids, but that is not relevent in this article.
So, which is better for the beginner? I'll cover 3 aspects below - cost, convenience and playability.
Cost
Both are about the same, you can get really expensive custom built electric of acoustic guitars. However, the electric can start to get more expensive simply because of the tempting options and accessories like amplifiers, pre-amps, effects pedals, volume pedals, etc. The acoustic on the other hand might be simpler to start with. It plays right out of the box!
Convenience
Again the acoustic wins as you can take it almost everywhere without worrying about a power socket. There are personal practice gadgets available for the electric guitar which allows you to practice with headphones.
Playability
My personal preference here is the electric guitar. I find it easier to play, with the strings being softer and thus less effort to play.
Either way, they both should be respected and used for what they are and any good guitarist should be adept at both. For the beginner, I would prefer the acoustic as it helps a lot in ear training as you get accustomed to the vibrations of the body making the tuning of the strings are easier to detect.
My final piece of advice is to don't get too obsessed with your instrument while you're learning but focus on the music instead. Once you start to get better at it you'll know instinctively what sort of 'ax' you'll need. I've met my fair share of musicians who are so into the gear but have not improved in their skill much and on the other hand, have heard some amazing, soul-stirring music from blues masters that have played the same guitar all their life!

Wednesday, September 06, 2006

Improvising

Improvisation (also known as improvising) is the act of making something up as you go along -- an act with which we all have a little experience. Remember playing House or Doctor as a child, letting the game go wherever your mind would take you? That was improvisation. No rules, no boundaries, just the limitless potential of your imagination.
Similarly, musical improvisation is the act of "writing" (creating it as you play) a song while performing it, a technique found most often in jazz and bluegrass (but can be traced back to renowned classical improvisers like Handel and Bach). Of course, it's a little more complicated than an imaginative children's game. Though improvisation is a highly creative and flexible technique, it requires great skill on the part of the musician. A musician involved in an improvisation must have a detailed knowledge of chord structure and complicated scales and modes. The musician must also have an intuitive ability to structure a song on the fly; great improvisation thrives on its ability to sound not improvised but rather wholly composed. That illusion, the ability of a song to seem anything but spontaneously made up, is part of improvisation's allure.
There are two basic forms of improvisation: structured improvisation and free improvisation. Structured improvisation, though a contradiction in terms, is the most common of the two. In this form, musicians will use a pre-determined series of chord changes, usually held down by the rhythm section, as the song's base. The lead instrument in the improvisation (sometimes also pre-determined) then have the freedom to create new melodies and harmonies from these pre-determined chords. The flexibility of this improvisation form is dependent on the flexibility of the chord changes, and the musicians involved must be able to play exactly what they hear in their heads, as some complicated changes may not allow for large deviations.
If we were to improvise on a song such as "Billy Boy", for example, we would follow the chord progressions of the song, but make up a different melody for it. Some musicians choose to stay fairly close to the melody by using neighboring tones and half-step slides and so on; other musicians feel free to completely abandon the traditional melody and make up a new melody entirely.
In addition to songs, many musicians in the jazz and rhythm & blues tradition improvise endlessly on the 12-bar blues, which has a chord progression using only the I, IV and V chords (also known as the "primary chords" of a given key) of whatever key the musicians are playing in. For example, if a jazz group was playing in the key of Bb, the improvisations would be based on the I, IV and V chords in the key of Bb: namely Bb, Eb, and F.
Of course musicians also add extra notes to chords such as the 7th -- especially in the blues -- and sometimes also change the harmony somewhat from time to time. But the recurring theme always reverts to the I - IV - V formula.
Free improvisation, on the other hand, is far more like a game of House or Doctor -- it has no rules. Instead of focusing on harmony or melody, free improvisation focuses on the feeling and texture of the music and the way the instruments complement each other. This form tends to be far more experimental and rarely adheres to one style or genre or music -- it is, quite simply, what it is.

Creating A Band

No wonder we all seek to express ourselves in some way. To achieve success in music we need a band, as a solo career is no longer popular. And now you are between decisions how to choose the band members to share you dazzling ups.
Well, there are two ways out:1.To involve professional musicians into the project and to divide obligations in advance. The only thing acquired is your own professional skills. 2.To surround yourself with deer friends and start following the path of studying altogether.
No matter which way you will go, just don’t haste. It may happen the guitarist will tear a strip off or the drummer will misfit a drum set. It’s no use shouting on them. We all make mistakes every now and then. First of all try studying few easy songs, like My Girl by Nirvana. But don’t jump into mastering jazz or grind core, as the Suicidal Tendencies, the Red Hot Chili Peppers or the Slipknot represent.
For joint work to be fruitful enough, you should organize rehearsals into two parts, the way, one will be devoted to revising already studied songs and the other one will be used for improvisation, which is of a great value, as the band members study to predict every next step of each other. Its’ you feeling every sense of music in the result. You can feel it’s aliveness by letting it through your mind. But the main thing is not to feel down in case everything is not as excellent as you have imagined. It’s much worse to loose pleasure in playing and creating music.
What concerns recommendations of experienced musicians, they are worth listen to, however, keep it in mind, it’s up to you, which of them to choose to follow.

Anti Tabs Guitar Player

Reading sheet music can be very intimidating for a beginning guitarist. It is, after all, a brand new language composed of a lot of symbols that are new and alien. But Reading sheet music is a must for anyone who wants to be a serious guitarist and it will take your guitar playing well beyond anything that TAB will show you. Tablature is a crutch. It will only teach you how to play songs and compositions by rote. It is true that with Tab you will learn how to play a piece of music but in the process you are missing some of the real things that music, and being a musician are all about.
What is the goal of a guitarist?
Playing pieces of music is not the only goal of a guitarist. Growth in both technical ability and creativity are just as important. When you learn a piece of music by TAB you experience a certain amount of growth but as you master the piece your growth quickly levels off. You have learned the piece and you practice it only to keep it sharp. When you learn a piece of music with traditional sheet music you are not just learning the notes you are also learning another language. This exercising of your mind makes you more flexible, more capable, and more creative. With time and practice you recognize keys, chords, progressions and whole host of things you would never see with TAB.
Advantages of Reading Sheet music
Hearing the music -As your skill develops and your ears sharpen you will be able to pick up a piece of written sheet music and actually hear the notes without playing the guitar. It is a language that you have learned. For some this ability comes quickly and for others it takes years of practice.
Creativity – Learning a language exercises a new part of your brain. Everyday, as you apply yourself to learning this new language you will grow. And this growth promotes your creativity. You are given many more tools to work with and apply to your music composition and you gain a broader, and more colorful, understanding of music.
Sight Reading - – As you develop your skill in reading sheet music you will gain the ability to pick up a piece of music that you have never seen before and play it from sight. This ability makes you a competent musician and accelerates your ability to add pieces to your repertoire.
Breadth of Repertoire -– Does your taste in guitar music deviate from the mainstream? It can be very difficult to find tablature for pieces that are not mainstream. But you can always find the sheet music. It is the language of music.
Cross-pollination with other instruments - – If you have heard a piece of music written for another instrument; like the piano, bass guitar, cello, or anything else where would you find guitar tab for it? If you are able to read sheet music you can get a copy of the music, understand it, and transcribe it for your guitar. This holds true for sub-genres of guitar. There is an enormous amount of music available to guitarists that are not written in tab. Music like classical guitar, flamenco, Spanish and progressive/experimental. Reading sheet music gives you instant access to all these flavors of guitar.
The Ultimate Reward –
As a guitar player, or aspiring guitar player, you know that it is not something that you study for a few weeks and are done. Playing guitar is a life long pursuit and learning tablature is just a short cut that enables you to play some songs. But learning to read sheet music is a skill that will have a more profound impact on your experience with the guitar and with the music. It will make you a better, more creative, and more capable player. It will enrich your experience with the guitar and with the music in ways that tab never can.

How to play guitar

Guitar chords, (note groups played specifically on a guitar,) differ only from other types of chords by virtue of instrument; they're simply a series of three or more notes played together. These notes don't necessarily have to be played simultaneously, however.
Broken chords (also referred to as arpeggios) are three or more notes that aren't played at the same time but closely enough to still be heard as a group or whole. And even the three-note rule is open to the occasional exception; some guitar chords consist of only two notes, but they still function as chords because they work diatonically in the same way that a major or minor chord would.
Guitar chords might very well be the most important element of guitar playing; after all, they're the basis of what makes a song. Most people picking up a guitar for the first time figure out a few guitar chords before even going for their first lesson, and still more teach themselves guitar without any help from an instructor. Self-taught guitarists learn chords in a number of ways. Some learn by listening to their favorite songs and slowly picking out the notes, a common yet often frustrating process. Others figure out the chords by learning to read tabs, a type of sheet music intended for fretted instruments that uses a graph-like chart to show where on the frets the fingers are placed. Both techniques are common among those learning the guitar, though the number of self-taught guitarists who never learned to read tab is fairly high.
Just like any other instrument, the sheer number of possible chord-groups can often be overwhelming for a new guitarist. And even the frequently taught chords are beginning to fall by the wayside, making room for a variety of guitar sounds created by tuning the strings in almost innumerous ways. Though power-chords (a type of note group using a base note, an octave note and the fifth) are still the most common type of chords, new bands are increasingly experimenting with alternate tunings to create new sounds; alternative bands have been toying with this way of playing interesting guitar sounds for decades.
So how many chords does a guitarist really need to know?
Most simple songs contain just 3 called "primary chords". So even a stark beginner can learn 3 simple note groups well enough to strum along and accompany himself as he sings. But after that, the sky is the limit; there are thousands of possible chords, so it is up to the individual guitarist as to how many he or she want to master.

Guitars

Since i start to listen music i start to watch and listen one instrument. That instrument is guitar. It is not that other instruments are not good, but guitar is the only one i really care about. This is the first time i wrote something about that so i need somebody to share my toughts.

Zagreb

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